Micro Dynamics is dedicated to making tom bass and other bass amp ... Micro Tom spcial low (bass amp and I guess I have not tried to a), Dynamic microphone for miking of tom, bass, tuba or bass drum jazz. The Audix D4 is a dynamic microphone designed for use with instruments. I own 4 of these and they work great for floor toms. The Audix D4 is a dynamic moving coil type mic that is specifically designed for drums. The Audix D4 is a moving coil dynamic primarily designed for use with percussion of all types but more specifically drums. The Audix D4 is possibly one of the smallest kick drum mics you’ll ever see. It has a frequency response that is tailored to use with lower instruments, and Audix advertises the Audix D4 as being great on a kick drum, a bass amp, and any other low instruments due to its "flat, linear, response." This page works best with JavaScript. I'd rather have the full range out of the D4. Like all dynamic mics, it handles high SPL without breaking up. The D6 is a dedicated kick drum and bass amp mic, while the D2 finds more use as a rack tom mic. I’ve used the D4 in this situation on stage for four years in a 22” maple kick, and it works beautifully. The D4 is designed to be something in the middle, so that you could use it on your kick drum, or on your toms. On every kick drum I miked with the D4, there was ample punch and bottom end. It is a rugged and excellent sounding mic much in the vein of a Sennheiser MD409.The lows are tight and full while it also demonstrates clear and accurate mids and highs. It is a dynamic hypercardioid microphone (directional) dedicated low fréquances (bass amp, bass, bass drum etc ...). Well worth the price! It is compact and easy to position with a wide frequency response of 40 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 db. By using our services, you agree to our use of cookies. Audix D4 Hypercardioid Dynamic Microphone. This mic was designed to accentuate the … depending on the music, between the two you mentioned i'd put up the D4 first, i've found them beefier than the D2--but they still cut. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Cookies help us improve performance, enhance user experience and deliver our services. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. They are also good on rack toms especially if you want more a dark dry sound. Get some and give them a try, I love them and I do think the sound a lot like 421's. That's what he recommends. Sweeeeeet sound. Your recently viewed items and featured recommendations, Select the department you want to search in, Reviewed in the United States on November 26, 2016. It will connect to your preamp with an XLR cable. The D4's have much better clarity, definition, and detail. While it is built well, it does have a kind of cheap look to it, so don't let the appearance fool you. It doesn't have an attenuation pad, so make sure you're not overloading the mic. Reviewed in the United States on September 2, 2019. I've heard nothing better for toms. There isn't a low roll-off because you will want to keep in all of the lows you record. I've used them for floor toms up to 18 ". I have 3 of them for my 12'' tom and my 14'' and 16'' floor toms and use the D6 on the bass drum. I had been using AKG D220's and SM57's forever. There's a problem loading this menu right now. It is a cardioid polar pattern which can't be switched. Audix mics have some nice built in EQ which makes it much easier to get a great sound. I'm usually skeptical when I see a product with such high ratings, but these mics great. Audix microphones are made very well with an aluminum body and steel mesh grill.


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