frequency response of 80 Hz - 18 kHz and the ability to handle sound pressure levels in excess of 144 dB, the D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophone, guitar cabinets and brass. Did we get anything wrong on this page? The Audix D2 contains, like many microphones from Audix, a very low mass diaphragm, improving its transient response, naturally something that many dynamic microphones struggle with. Audix i5 Cardioid Dynamic Microphone. With a wide frequency response of 44 Hz - 18 kHz and the ability to handle spls in excess of 144 dB, The D2 is an excellent choice for making instruments with a percussive nature such as rack Toms, congas, Saxophones, guitar cabinets and brass. The Audix D1 is a hypercardioid dynamic microphone intended for instrument use. Audix, 2003 Part of Audix’ D-series, it used the same body and capsule design; the primary differences among the original four D-series mics were in sensitivity and frequency response. The frequency response corresponds to 68Hz-18kHz, sound pressure level exceeding 144dB, In addition to percussive sounds such as tom drums and conga, sounds such as guitar cabinets and saxophones are also clearly detected. h�b``a``�����&�� Ā B,�@�����`��@'X���i�Ǝ���P؜A��(�0Q��P��.�{�$��00��h��C,�93�'m�dHl��k� ZT���� �w�-��G�E�@� � nQ^ Hypercardioid %%EOF C�z��K��A��w�~�D����8!����)����L �[��� The Audix D2 Trio is everything you need for miking your toms, all in one convenient package. Part of Audix’ D-series, it has a scooped-mids EQ curve, with a larger low-frequency boost than the D4. Visually, the dynamic capsules of the D1, D2 and D4 are all but identical, and measure approximately 22mm in diameter (inside the capsule housing). Here are the specs from the Audix website: Type = Dynamic Polar Pattern = Hypercardioid Frequency Response = 80Hz - 18kHz Impedance = 250 ohms Sensitivity = @1k 1.2 mV/Pa It has a frequency response from 80 Hz to 18,000 Hz. Audix presents the mic as suitable for drums, percussion, and brass instruments. 408 0 obj <>stream The D2 is a compact dynamic instrument microphone. Gearslutz members compare it favorably to the Sennheiser MD421. "EށH��.�� �S &E�dX����U@���3���@���`&F��`�����8� @� ��h Like the other D-series Audix dynamics, the D2 has a good reputation online, especially for tom applications. It can also isolate "each instrument's 'sweet spot.'" The D2 is lightweight, compact and easy to position. The D3 had lower sensitivity than other D-series microphones: 0.9mV/Pa. (2.5 mV/Pa; 44 - 18,000 Hz). The case is a bit shorter and fatter than the SM57, but the applications are generally the same. Frequency Response: 68Hz - 18kHz: Impedance: 280 ohms: Sensitivity: @1k 1.2 mV/Pa Audix presents the mic as suitable for drums, percussion, and brass instruments. endstream endobj startxref The D2 can be distinguished from the other models by the logo stamped on the mic, and by the color of the fine-mesh blast screen inside the black grille; on the D2, the inner screen is black. All are milled from a solid block of aluminum and finished in black. The earlier chart (circa 2001) showed a rising high-frequency response, peaking at +9dB at 10kHz. K]:��-[Y������;��'1E�>"G�����LމI����u::~]�M�����q�8�MZ����~6��(��Yo�}3�4|Z��5a՚�>\��x��8J ?Ӂ^]�x�X�. The only visible difference is the size of the vent holes around the base of the shaft. The headgrille can be easily removed. 386 0 obj <>/Filter/FlateDecode/ID[]/Index[364 45]/Info 363 0 R/Length 109/Prev 1039084/Root 365 0 R/Size 409/Type/XRef/W[1 3 1]>>stream The tailored frequency response of the D2 drum microphone gives you all the punch, clarity, and warmth needed for percussion without being muddy or boomy. The D2 is lightweight, compact and easy to position. The microphone is hypercardioid, and boasts an ability to handle whopping SPLs of 144 dB. The D2 is a compact dynamic instrument microphone. The D2 is compact and sturdy, so you can experience a comfortable setting. 0 h��V[o�6�+|L0��H"%��K�x�ӮJ� �X�u�ɒ! h�bbd```b``z"���A$�40�L�HN��~� The mic’s published frequency-response graph has changed since the mic’s introduction, although it is not known whether the change is due to component/design alterations or measurement processes. Audix D1 Hypercardioid Dynamic Microphone. The proprietary VLM TM (Very Low Mass) capsule technology provides superior transient response and more accurately captures every detail of … 364 0 obj <> endobj endstream endobj 365 0 obj <>/Metadata 59 0 R/Pages 362 0 R/StructTreeRoot 108 0 R/Type/Catalog/ViewerPreferences<>>> endobj 366 0 obj <>/Font<>/ProcSet[/PDF/Text/ImageC]/XObject<>>>/Rotate 0/StructParents 0/TrimBox[0.0 0.0 612.0 792.0]/Type/Page>> endobj 367 0 obj <>stream The Audix i5 is an all-purpose studio dynamic mic that invariably draws comparisons to the ubiquitous Shure SM57. Part of Audix’ D-series, it has a scooped-mids EQ curve, with a larger low-frequency boost than the D4. Frequency Response: 68 Hz – 18 kHz: Polar Pattern: Hypercardioid : Output Impedance: 280 ohms: Sensitivity: 1.2 mV / Pa @ 1k: Capsule Technology: VLM Type B: Off-Axis Rejection >30 dB: Maximum SPL ≥144 dB: Power Requirements: None: Connector: 3-pin XLRm: Polarity: Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector The published frequency-response graph for the D3 shows a mid-frequency boost from 200–500Hz, with a series of presence peaks at 2750Hz, 5kHz, and 10kHz.

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